It is a rising-falling makam, formed by the addition of Hicaz Pentacord in its normal place to Uşşak Tetracord on its Hüseyni tone.
Musical development; starts from around Dügah or Hüseyni note. Tonics are Rast, Nim Hicaz, Dik Kürdi, Neva and Hüseyni. The final tone is Dügah after the leading tone Rast.