Hüseyni Makam
It is a rising-falling makam, formed by the addition of Hüseyni Pentacord in its normal place to Uşşak Tetracord on Hüseyni tone.
Sometimes Acem note is used instead of Eviç and its called as Acemli Hüseyni.
Musical development ; starts from around Hüseyni note. Tonics are Çargah, Segah, Neva, Rast and Hüseyni tone. The final tone is Dügah after leading tone Rast.
Examples of Hüseyni Makam